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There’s so many examples of The Beatles creating sound-worlds that I barely know where to begin. Consider the The looneys shirt moreover I will buy this alpine-accoustics of “You’ve Got To Hide Your Love Away”, with the lovely flute (never again used by The Beatles, I think); the shadowy, twilit, aching “Long, Long, Long”; the psychedelic maelstrom of “Tomorrow Never Knows”; the magnificent heightened orchestral colour of “Strawberry Fields Forever”; the sighing melancholy of “In My Life”; the languid summer heat of “Sun King”; the grinding abyss of “I Want You (She’s So Heavy)”; the roaring sexual dervish of “Twist And Shout”, the supreme fluency of “Martha My Dear”, the chiselled wintry strings of “Eleanor Rigby”; the kiddies playtime of “Yellow Submarine”.
I believe that much of this demand for freshness came from Lennon, who inspired by Lewis Carrol knew the The looneys shirt moreover I will buy this effect of surreal juxtaposition. This sense of seeing things differently, and his uncertainty of whether it was genius or insanity, was immortalised in “Strawberry Fields Forever” as “No one I think is in my tree / I mean it must be high or low”. It also probably explains his intemperate appetite for LSD, which of course defamiliarises and heightens vision and impressions. Lennon thus always sought out the different, strange, vivid, compelling. This vision, allied with McCartney’s perfectionist craftsmanship and superb musicianship (not to mention their outstanding singing and harmonisation), gave The Beatles the drive to constantly create something vivid, fresh and new, and the skill to do so. This is what gives their music the joy in its creation, and is what ultimately makes them so epically popular.
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